In Flamenco (baile) exists a communication code that determines the sequence of the dance. It' s very important to know however that even in the most choreographed baile is still room for improvisation, since the interaction between the flamenco cante (sing), guitar and baile is constant and it may happen that we should "coordinate" during execution.
Normally, the guitar has to follow the song, if you are only accompanying a cantaor (singer) and there's the baile, and if there is someone who dances all the musicians will have to follow the signals. It's therefore crucial that those who dance can "send" command, or send the right "signals" to the musicians.
Given that, especially nowadays, the variety of styles and shapes in the baile is infinite, and you can really say that every Bailaor has his own style, it is imperative that anyone who knows the dance aesthetic of dance in forms and define compás to close, to stop, to produce the sounds, mark the rhythm of walking.
Another extremely important aspect for a flamenco Bailaor is let go the her body expression, without hiding behind the forms interpreted with sensitivity to music and singing. Must be present and get involved, regardless of its level of technical skills: there is flamenco in the form without content. There are aesthetic images to play. We exaggerate by saying that any action can be flamenco, though in itself has the intention and if whoever does this is totally within the body.
The adaptability and adherence to codes is essential to Bailaor to recover in situations where the musicians do not come as expected, or cantaor songs by accident or by following the inspiration dle time, a letra a period other than agreed.
The rules of flamenco are very variable and therefore great way to improve their way of flamenco dance and listen to great music and see many shows. From each Bailaor / Bailaor you can grasp nuances and different interpretation techniques.
taken from "il baile flamenco"
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